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・ William Simmonds Chatterley
・ William Simmons
・ William Simmons (politician)
・ William Simms
・ William Simms (instrument maker)
・ William Simon
・ William Simon (sociologist)
・ William Simon U'Ren
・ William Simonds
・ William Simonds (author)
・ William Simonds House
・ William Simons
・ William Simons (priest)
・ William Simonton
・ William Simpson
William Simpson (artist)
・ William Simpson (judge)
・ William Simpson (rugby league)
・ William Simpson (trade unionist)
・ William Simpson McNeill
・ William Simpson Oldham, Sr.
・ William Simpson Potter
・ William Sims
・ William Sims (disambiguation)
・ William Sims Bainbridge
・ William Simson
・ William Sinclair
・ William Sinclair (Archdeacon of London)
・ William Sinclair (bishop)
・ William Sinclair (fur trader)


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William Simpson (artist) : ウィキペディア英語版
William Simpson (artist)

William Simpson (28 October 1823 – 17 August 1899) was a Scottish artist, war artist and war correspondent.
==Life==
Born into poverty in Glasgow, Simpson went on to become one of the leading 'special artists' of his day, and sketched many scenes of war for the Illustrated London News. His early years were very difficult living in a house with an abusive and alcoholic father, and in 1834 he was sent to live with his grandmother in Perth.
Simpson's only formal schooling took place during this period and within a few years, he was working as an apprentice in the Glasgow lithographic firm of Macfarlane.
The artist stated later that "this was the turning point which changed all my boyish intentions."
It was during the years in Glasgow that he attended the Andersonian University and the Mechanics Institute in the evenings.
His next position was to create an image of the Alma based on various accounts so that it could be lithographed by another London publisher, Lloyd's. He also put sketches sent from the Baltic onto stone for the firm of Colnaghi.
In anticipation of the fall of Sebastopol, Lloyd's had him prepare an image of the fall of the town so that it could be published immediately upon news of its actual capture. This presented a challenge to Simpson as he had little information about Sebastopol.
He occasionally spoke with Mr. Day of Day and Son about the need to have sketches drawn at the front.
Shortly thereafter, Colnaghi's contacted Simpson and invited him to go out to the Crimea and make sketches for the company.

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